Esperanza Creative, recently shot this corporate promo video that showcases their upcoming event called "Urban Rec". He filmed it with a CAME-Mini 2 gimbal and a Sony A7S with the Sony SAL50F14 50mm lens and also a Sony FE 28-70mm. Due to the privacy settings set by the owner, please click the picture below or click here to watch the video!
The CAME-Mini 2 3-axis gimbal is an extremely portable gimbal that can easily be brought with you to different shoots. The Mini 2 is completely tool-less, which will make it easier for you to balance your camera or to make minor adjustments. The max payload the CAME-Mini 2 can handle is 2.6 lbs, making it perfect for cameras like the BMPCC, Panasonic GH4 and the Sony A7S/A7R series.
For more information on the CAME-Mini 2 Gimbal click below! Make sure to also sign up for the newsletter to receive updates and information on any new products we release.
Johnnie Behiri, from Cinem5D.com, uploaded this detailed article on the new Sony A6300 camera. Along with a well written article, Johnnie Behiri, posted a test video in which he used the CAME-Single with the Sony A6300 and a Sony 16-35mm F/4 lens.
Although, brushless motors with encoders have been available for a little bit now, the software used to control gimbals have recently added support for encoders. The CAME-Single is one of the first commercially available 3-Axis 32 bit basecam controlled gimbals to offer brushless motors with encoders. It can hold camera setups up to 2.6 lbs, which is perfect for mirror-less cameras like the Panasonic GH4, BMPCC and the Sony A7S series cameras.
@mrcheesycam using the #cametv #ARGO #gimbal with a #DTap adapter that has a built in #USB port to give power to his #Sony #A7sII camera!
HDVideshop Berlin, uploaded this quick overview of our new CAME-ARGO 3-axis gimbal. The video goes over the main features of the ARGO and how easy it is to setup. In the beginning of the video, he has a Sony A7s with a Zeiss 24-70mm F/4 lens balanced on the CAME-ARGO.
The CAME-ARGO features a 32 bit Alexmos board and is completely tool-less, which makes balancing your camera on the gimbal a breeze. A wireless remote is included with the CAME-ARGO, which allows you to control the gimbal from a distance and also switch to different operating modes. There is a D-Tap output on the bottom of the gimbals frame, allowing you to power accessories like a wireless follow focus.
For more information on how to pre-order the new CAME-ARGO click below! Make sure to also sign up for our newsletter to receive updates and information on any new products we release.
Vimeo user, Luigi De Vita, uploaded this short clip of a video he shot using the CAME-Single gimbal and his Sony A7SII camera + a Sony zeiss 24-70mm f4 lens.
In the video, the CAME-Single is used for tracking the subject as he walks toward the van before ultimately getting in it. The van then drives off and we slowly follow as it starts to leave the parking garage. With a max payload of 2.6 lbs, the CAME-Single is designed to be portable, easy to balance and used with just one-hand. The encoders on the CAME-Single enhances the gimbals performance by preventing the motors from losing sync, increasing the torque/stability and decreasing the power consumption - allowing the gimbal to last longer.
For more information on the CAME-Single gimbal click below! Make sure to also sign up for our newsletter to receive updates and information on any new products we release.
With the growing popularity of these two Sony cameras, a sturdy and reliable rig is a must have. Our Sony FS5 Rig gives you all the essentials you would need to deck out your camera. It has a shoulder pad, a wooden top handle and the top and bottom baseplates have options to mount 15mm rods.
Our Sony FS7 Rig is basically three main pieces that can easily attach together to form one solid piece. The FS7 Rig is covered in mounting points, allowing the shooter to attach a bunch of accessories to the top plate, side plate and even the top handle. Like the FS5 Rig, you have the option to attach a pair of 15mm rods to the top and bottom plates.
If you haven't check out this review on the Sony FS7 Rig by Satostudiogear make sure you check it out.
For more information on the CAME-TV FS5 Rig and the CAME-TV FS7 Rig click below! Make sure to also sign up for our newsletter to receive updates and information on any new products we release.
Kyle SHOX Brown FILMS, posted this promo video of the Bassline Festival that took place in Manchester. He used a Sony A7s with a Canon 35mm F2 and a Zeiss 24-70mm F4 lens - all balanced on the CAME-7800 for the video.
The CAME-7800 is a 3-axis gimbal that is able to hold setups that weigh up to 6.5 lbs, making it perfect for shooters who want to use their DSLR/Mirror-less cameras with a slightly heavier lens. Right out of the box, the CAME-7800 has multiple operating modes that give the shooter different options while shooting a scene. You can disable the follow mode on the pan/tilt, enable the follow mode on the pan/tilt or a "commixture" mode, which allows you to enable the pan but disable the tilt. All the modes can easily be cycled through by pressing the joystick down.
For more information on the CAME-7800 3-axis gimbal click below! Make sure to also sign up for our newsletter to receive updates and information on any new products we release.
